IELTS Academic and General Training share Listening and Speaking. Reading and Writing differ by module. This guide covers format, traps, rubric criteria, and a 4-week plan aimed at band targets — without inventing lifts or pass rates.
The product truth that matters most for prep: Listening plays once. Untimed loops measure comprehension under laboratory conditions. A timed sitting that obeys the one-play rule reveals fluent, fragile, guessed, and gap items.
Exam Overview#
| Aspect | Details |
|---|---|
| Modules | Academic or General Training (GT) |
| Total time | ~2 hours 45 minutes |
| Sections | Listening → Reading → Writing → Speaking (Speaking may be same day or within a short window) |
| Listening | ~30 min (+ transfer on paper), 4 parts, 40 questions — plays once |
| Reading | 60 min, 40 questions, 3 passages (Academic) / 3 sections (GT) |
| Writing | 60 min, Task 1 + Task 2 (Task 2 weighted 2×) |
| Speaking | 11–14 min, 3 parts (interview, long turn, discussion) |
| Bands | 0–9 whole or half; overall = average of four sections, rounded to nearest half |
Note
Listening and Speaking are identical for Academic and General Training. Choose Academic for most university admission pathways; choose General Training for many immigration and work pathways — confirm your institution or visa requirement before you book.
How the overall band is calculated#
Each skill (Listening, Reading, Writing, Speaking) receives a band from 0 to 9 in whole or half bands. The overall band is the arithmetic mean of the four, then rounded to the nearest half band.
| Mean of four | Overall band (nearest half) |
|---|---|
| 6.00 | 6.0 |
| 6.25 | 6.5 |
| 6.75 | 7.0 |
| 7.125 | 7.0 |
Tip
A single weak skill pulls the average. If your offer asks for 6.5 overall and no skill below 6.0, a 7.5 Writing cannot rescue a 5.5 Listening. Measure by section, not by one blended percentage from casual practice.
Academic vs General Training#
| Dimension | Academic | General Training |
|---|---|---|
| Primary use | University / professional registration | Immigration, work, some training pathways |
| Listening | Same (4 parts, 40 Q, plays once) | Same |
| Speaking | Same (3 parts, 11–14 min) | Same |
| Reading texts | 3 longer academic / journalistic passages | 3 sections: everyday → workplace → longer general text |
| Writing Task 1 | Describe a visual (graph, chart, map, process) | Write a letter (formal / semi-formal / informal) |
| Writing Task 2 | Discursive essay | Discursive essay (often more everyday framing) |
| Band reporting | Same 0–9 scale | Same 0–9 scale |
Who should sit which module#
| Situation | Usually book |
|---|---|
| Undergraduate / postgraduate admission | Academic |
| Professional registration that specifies Academic | Academic |
| Many skilled-migration pathways | General Training (confirm the checklist) |
| Secondary school / foundation pathways | Check the offer letter — do not assume |
Tip
If your target is a university offer letter, do not practice GT Reading/Writing “because it feels easier.” The Reading text density and Academic Task 1 visual language are part of what the sitting measures.
Listening (plays once)#
~30 minutes of audio, 40 questions across 4 parts. On paper tests you get extra transfer time; on computer-delivered IELTS you enter answers as you go. Either way: the recording does not repeat.
Part breakdown#
| Part | Typical scene | What breaks under one play |
|---|---|---|
| Part 1 | Everyday conversation (booking, enquiry) | Spelling, numbers, dates if you hesitate |
| Part 2 | Monologue (tour, talk, induction) | Map/label items; missing a directional cue |
| Part 3 | Discussion between speakers (study / work) | Matching speakers to views; tracking disagreement |
| Part 4 | Academic monologue / lecture | Dense detail; paraphrase distractors |
Question types you will see#
| Type | Skill under one play |
|---|---|
| Form / note / table / flowchart completion | Catch exact words; spelling counts |
| Multiple choice | Paraphrase distractors that reuse audio words |
| Matching (including speakers → views) | Track who said what as opinions shift |
| Map / plan / diagram labelling | Follow directions while reading the key |
| Short-answer questions | Word limits; do not overwrite the gap |
Section 3 matching: the product-shaped trap#
Part 3 often asks you to match speakers to opinions, proposals, or concerns. Everything is clickable on a good digital practice surface; nothing is replayable beyond the real rule. If your only Part 3 experience is “I got there after three listens,” you have a comprehension score — not a Listening score.
| Bucket | In IELTS Listening |
|---|---|
| Fluent | Caught on the play; answered inside the write-up budget |
| Fragile | Got it, but hovered and starved the next question |
| Guessed | Missed the referent; filled from a similar-sounding word |
| Gap | Named skill hole (contrast markers, speaker tracking, map language) |
Warning
Untimed practice ≠ readiness. Pausing, rewinding, or “just checking again” trains a different exam. Timed Listening that plays once is what reveals fragile and gap items before you pay for another attempt. Acedify’s IELTS Listening path is built around that constraint.
Listening tactics that survive one play#
- Preview stems in the silence — know what you must catch before audio starts.
- Write as you hear — do not wait for “perfect certainty” that never comes on one play.
- Expect paraphrase — the correct option rarely copies the audio verbatim.
- Protect Part 4 — if Part 3 burned you, reset; Part 4 is a fresh monologue with its own question set.
- Check plurals and word limits — a right idea with the wrong form is still wrong on the mark scheme.
After a timed Listening sitting, demand this report#
- Part-level signal — is Part 3 (or 4) the holdback, or is the problem spread?
- Pacing against budget — which questions burned time after the audio ended?
- A narrowing range — band evidence that tightens across sittings, not a single lucky day treated as destiny.
Paper vs computer-delivered (Listening note)#
| Mode | Answer entry | Same critical rule |
|---|---|---|
| Paper | Transfer time after audio | Plays once |
| Computer-delivered | Enter as you go | Plays once |
Do not let transfer time become an excuse to rewind in practice. The product constraint that predicts test day is still one play.
On test day, how many times does the IELTS Listening recording play?
Reading#
60 minutes, 40 questions. Academic: three passages, increasing difficulty. GT: three sections moving from everyday notices toward a longer general-interest text.
Academic vs GT Reading at a glance#
| Feature | Academic | General Training |
|---|---|---|
| Structure | 3 passages | 3 sections |
| Questions | 40 | 40 |
| Time | 60 min | 60 min |
| Text density | Higher; journalistic / academic | Everyday → workplace → longer general |
| Shared skill | Locate, paraphrase, distinguish Not Given | Same skill family, different text world |
Question families that steal time#
| Type | What it tests | Common fail mode |
|---|---|---|
| True / False / Not Given | Statement vs passage evidence | Treating “Not Given” as “False” |
| Yes / No / Not Given | Writer’s views / claims | Same trap with opinion language |
| Matching headings | Paragraph gist | Choosing a heading that matches a detail, not the whole paragraph |
| Matching information | Where a detail appears | Scanning for a word, missing paraphrase |
| Summary / note / table completion | Precise lexical fit | Grammar that does not fit the gap |
| Multiple choice | Detail or main idea | Attractive half-right options |
| Matching features / sentence endings | Precise relationship | Mixing which person/thing owns which claim |
True / False / Not Given — the deciding line#
- True — the statement matches the passage (same meaning; wording may differ).
- False — the passage states the opposite or a clear contradiction.
- Not Given — the passage does not provide enough information to judge True or False.
Worked contrast:
| Statement vs passage | Label |
|---|---|
| Passage: “Sales rose in Q2.” Statement: “Sales rose in Q2.” | True |
| Passage: “Sales rose in Q2.” Statement: “Sales fell in Q2.” | False |
| Passage: “Sales rose in Q2.” Statement: “Sales rose because of online ads.” | Not Given (cause not stated) |
Warning
Trap: If you cannot find evidence for True or False, the answer is Not Given — not “probably False.” Do not invent world knowledge the passage never supplies.
Matching headings — gist over keyword#
- Read the paragraph for the controlling idea (often opening + closing).
- Predict a short gist in your own words.
- Match to headings by meaning, not shared nouns.
- Cross off used headings; do not force a leftover into a paragraph that does not fit.
Timing budget (measurement, not folklore)#
| Block | Rough budget | Signal |
|---|---|---|
| Passage / Section 1 | ~15–18 min | Should feel fluent if vocabulary is in range |
| Passage / Section 2 | ~18–20 min | Fragile items often appear here |
| Passage / Section 3 | ~20–22 min | Dense Academic text; leave buffer for answers |
A useful sitting reports more than raw accuracy: which question family burned time, and whether late passages were guessed under clock pressure.
A statement contradicts what the Academic Reading passage says. The correct label is:
Writing#
60 minutes. Task 1 + Task 2. Task 2 is weighted twice as heavily as Task 1 in the Writing band — mismanaging time on Task 1 is a classic fragile pattern.
Task 1 vs Task 2#
| Academic Task 1 | GT Task 1 | Task 2 (both) | |
|---|---|---|---|
| Prompt | Visual: graph, chart, table, map, process | Letter with a purpose and tone | Discursive essay on an issue |
| Typical length target | 150+ words | 150+ words | 250+ words |
| Job | Select and report main features; compare; avoid raw data dump | Cover bullet points; match tone | Take a clear position; develop with reasons/examples |
| Weight | 1× | 1× | 2× |
| Suggested time share | ~20 min | ~20 min | ~40 min |
Rubric criteria (what examiners mark)#
| Criterion | What it rewards | What collapses the band |
|---|---|---|
| Task Response (Task 2) / Task Achievement (Task 1) | Fully addresses the prompt; clear position (T2); key features (T1) | Partial coverage; off-topic; no overview on Academic T1 |
| Coherence & Cohesion | Logical progression; paragraphing; referencing | Repetitive linkers; no paragraph logic |
| Lexical Resource | Precise vocabulary; collocation; paraphrase of prompt | Memorized templates that do not fit; wrong word forms |
| Grammatical Range & Accuracy | Mix of structures with control | Ambitious sentences that break meaning |
Tip
On Acedify, Writing is scored against the rubric — not against a vague “sounds academic.” Practice free to learn the deciding line; timed sittings show whether Task 2 still gets the time and development weight it deserves.
Academic Task 1 — visual discipline#
- Open with an overview — trend or main contrast, not every number.
- Group data — compare categories; do not narrate left-to-right like a spreadsheet.
- Select — minor fluctuations can stay minor.
- No opinions — Task 1 is description, not argumentation.
- Units and time periods — misreading axes is a silent Task Achievement hit.
GT Task 1 — letter tone#
| Tone | Typical cues | Fail mode |
|---|---|---|
| Formal | Complaint to a company; request to an official | Contractions / slang |
| Semi-formal | Message to a landlord / course tutor you know | Over-casual opener |
| Informal | Friend / family | Stiff “I am writing to inform you…” templates |
Cover every bullet in the prompt. A polished tone with a missing bullet is still incomplete Task Achievement.
Task 2 — position first#
Common Task 2 shapes:
| Prompt shape | What “fully addresses” looks like |
|---|---|
| Agree / disagree | Clear stance; develop it; acknowledge complexity if useful |
| Discuss both views + opinion | Both sides and your position |
| Advantages / disadvantages | Both sides with balance; conclusion that answers the question |
| Problem / solution | Causes or problems and workable solutions |
| Two-part question | Answer both parts; do not orphan the second |
State a clear stance early. Develop 2–3 body paragraphs with reasons and concrete support. A polished conclusion that restates without new undeveloped claims beats a third half-written idea under the clock.
Speaking#
11–14 minutes, three parts. Same for Academic and GT. Marked on four criteria: Fluency & Coherence, Lexical Resource, Grammatical Range & Accuracy, Pronunciation.
Parts#
| Part | Time (approx.) | Format | What it measures |
|---|---|---|---|
| Part 1 | 4–5 min | Short interview (home, work/study, familiar topics) | Ease on everyday prompts |
| Part 2 | 3–4 min | Long turn: 1 min prep, up to 2 min talk on a cue card | Sustained speech without examiner rescue |
| Part 3 | 4–5 min | Discussion linked to Part 2 theme | Abstraction, opinion, comparison, speculation |
Criteria — measurement language#
| Criterion | Fluent signal | Fragile / gap signal |
|---|---|---|
| Fluency & Coherence | Steady pace; self-repair that does not stall | Long silent searches; memorized speeches that ignore the question |
| Lexical Resource | Topic vocabulary used accurately | Vague “things / stuff”; forced rare words that break meaning |
| Grammar | Mix of simple and complex with control | Only short clauses or complex attempts that collapse |
| Pronunciation | Intelligible; stress/intonation help meaning | Individual sounds or chunking that force the listener to work |
Part-by-part tactics#
Part 1: Answer directly, then add one extension. Do not deliver a Part 2 monologue on “Do you live in a house or a flat?”
Part 2: Use the minute to outline bullets, not to write a script. Speak to the card. If you finish early, add a reason or example — do not stop at 60 seconds if you still have content.
Part 3: Expect comparison, cause/effect, and future speculation. Short answers that worked in Part 1 under-develop Part 3.
Note
Part 2 is not a performance of a memorized essay. Cover the cue-card bullets, then extend. Examiners hear when a monologue was written for a different prompt.
In IELTS Writing, how is Task 2 weighted relative to Task 1?
Common Traps#
| Trap | Where it shows | Fix before the next sitting |
|---|---|---|
| Rewinding Listening in practice | Listening band fantasy | Timed modules that play once |
| Treating Not Given as False | Reading | Evidence test: opposite → False; silence → Not Given |
| Keyword matching for headings | Reading | Gist of whole paragraph |
| Task 1 perfectionism | Writing | Cap Task 1 (~20 min); protect Task 2’s 2× weight |
| Memorized Part 2 speeches | Speaking | Answer this cue card; cover bullets, then extend |
| Untimed % as “ready” | All | Sit timed; read section range and pacing buckets |
| Ignoring module choice | Reading / Writing | Academic vs GT texts and Task 1 type must match your booking |
| Spelling / plurals on Listening completion | Listening | Transfer check; word-limit discipline |
| Off-topic Task 2 with beautiful English | Writing | Task Response first — address the prompt |
| Mixing Academic visuals with GT letter templates | Writing Task 1 | Practice the Task 1 you booked |
| Stopping Part 2 at 60 seconds with more to say | Speaking | Use remaining time for a reason/example |
Trap deep-dive: untimed % as readiness#
A high untimed Listening score after three plays feels like progress. It is progress at a different sport. Before you book, require at least one timed play-once module whose part-level signal matches the story you tell yourself about your band.
You scored well on Listening only after replaying clips. Before booking, you should:
4-Week Study Plan (band targets without guarantees)#
This plan aims your practice at the constraints of the sitting. It does not promise a +1.0 band in four weeks — ranges move when evidence accumulates under real rules.
Week 1 — Map the sitting#
- Confirm Academic vs GT against your offer / visa requirement.
- Untimed familiarization: one set per skill; study the deciding line on every miss.
- One timed Listening module (plays once). Log Part 3 / Part 4 holdbacks.
- One Writing Task 2 under ~40 minutes; score against the four criteria honestly.
- One Part 2 cue card timed; record and mark Fluency / Lexical / Grammar / Pronunciation.
Week 2 — Drill the gap#
- Listening: Part 3 speaker-matching and Part 4 paraphrase sets between sittings — then another play-once module.
- Reading: TF/NG and headings drills; one timed 60-minute paper.
- Writing: Academic visual Task 1 or GT letters (match your module) + Task 2; enforce Task 2 time share.
- Speaking: Part 3 abstraction prompts after each Part 2 theme.
Week 3 — Full constraints#
- Full Listening + Reading back-to-back under clock.
- Full Writing (60 min) with Task 2 protected.
- Speaking mock: Parts 1–3 continuous.
- After each sitting: label items fluent / fragile / guessed / gap. Drill only the gap that moved (or failed to move) the estimate.
Week 4 — Narrow the range#
- Two more exam-native sittings spaced with recovery, not cramming.
- Light review of error log — no new “miracle” templates.
- Rest before test day. A narrowing range beats one lucky untimed day treated as destiny.
| Week | Primary measurement question |
|---|---|
| 1 | Which skill is the holdback under real rules? |
| 2 | Did drilling that gap move the next sitting? |
| 3 | Does the range still swing wildly sitting-to-sitting? |
| 4 | Is the range useful enough to book — or do you need more evidence? |
Tip
Loop: practice → drill the gap → sit timed → read the range. Free practice teaches question types. Timed Listening that plays once, and Writing scored against the rubric, are what make the range worth booking on.
Know your range before test day#
Format knowledge helps. A timed sitting shows whether Listening Part 3, Reading TF/NG, Writing Task 2, or Speaking Part 2 is holding the estimate.
- Timed diagnostic with section-level signal
- Listening that plays once (exam-native) — including IELTS Listening on the platform
- Clear pacing buckets: fluent, fragile, guessed, gap
- Practice free; timed sittings and readiness as a range on Pro
Next step: Start practicing free on the IELTS hub. When you sit Listening timed, let it play once — then read what the range says about Part 3.